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Wild Bunch Media

Food, Wine & Hospitality

Nobody can taste a paragraph.

We help premium producers and hospitality businesses build brands people remember — by showing the maker, the place and the process, then giving it all a page built to sell.

Wineries · Breweries · Distilleries · Food producers · Restaurants · Hotels and experiences

The opening argument

Most producers’ websites are a page of words about a thing you taste.

We see the same homepage again and again: a screen of text, no bottle, no vineyard, no cellar. It says the estate does its own pressing and that a small team is always on the go — and shows neither. The product is not on the first screen.

It was written by the producer, about the producer, and the thing people actually buy — the taste, the place, the hands — never makes it onto the screen. Here is the order we give, every time.

  1. 1

    The page first. Bottles and the estate on the first screen, and a route to buy from it. A film pointed at a failing page is a wasted film.

  2. 2

    Then the estate film: the maker, the press, the cellar. Interviews, not voice-over. The shape of the Milton Rum story below.

  3. 3

    Not more words. The one thing we tell people not to spend on: another paragraph of philosophy before the wine is on screen.

Our audit tool reads a page the way a customer does — what’s on the first screen, what’s claimed, what’s shown. Run it on yours.

What we look for

Three things a label can claim and only a camera can prove.

The maker

Who is behind it. A founder on camera outlasts any campaign — the Milton Rum film is still on their homepage six years on.

The place

Where it comes from. The plantation, the vineyard, a street in Rome. Provenance is the thing people pay the premium for, and it has to be seen.

The process

How it is made. The press, the still, the harvest. If the site says you do it yourselves, show the doing.

How we work

Plan. Make. Improve — in a producer’s language.

Plan
What does a customer need to see, understand and believe before they order a case, book a table or stay a night? We work that out first — and what not to spend money on. The judgement is the job.
Make
The film, the photography, the social cuts. Real cameras for the maker and the place; the AI Studio where nobody is vouching. FUKU’s launch film has not one frame shot on a camera.
Improve
The page it all lands on — the shop, the cellar door, the booking — built to sell, then watched. What works gets more weight; what doesn’t gets fixed.

Real cameras where belief depends on a real person — a winemaker, a brewer, a chef. The Studio for everything else.

Proof

Made for people who make things.

FUKU Brew

Italy’s first Japanese-style rice lager · the flagship

One proposition, one launch film from the AI Studio, one bilingual page with direct purchase — then a gold medal in London: Best Lager in Europe, Craft Beer Awards 2025, triple blind tasting.

Read the FUKU case study →

  • Buderim Ginger

    Field to fork · then into drinks · with Social Tap

    The brand film shot on the plantations, the product photography, the social series — and when the brand moved into drinks, the launch films for Early Days, a ginger spirit, and the cocktail-mixer range. One visual world that kept producing.

    Read the case study →

  • Milton Rum Distillery

    Craft rum · founder film · website by Social Tap

    A new distillery in a crowded category, with a maker worth meeting. A four-minute founder-led film around the distiller, the still and the process, with cut-downs for social. Still the film on their homepage six years on.

    See it on their site ↗

  • FEELS — the vineyard
    FEELS — social cut

    FEELS Eau de Vie

    Craft spirit · social cuts · with Social Tap

    Vertical cuts made to be watched in a hand: the vineyard, the botanicals, the bottle — the place before the product.

Also in food and drink

  • McCormick’s Gourmet Garden — a recipe campaign with chefs Dominique Rizzo and Kim McCosker
  • IGA Christmas — a creator series with Dominique Rizzo
  • The Easiest Cooking Show Ever — a TV series with Kim McCosker, for Foxtel
  • Zumbo Skool — an online education platform with Adriano Zumbo

See all the work →

Where we are

Rome, and in Italian.

Katja is in Rome and works in Italian. For producers in Italy and the Italian-speaking side of Switzerland, the first conversation is in your language, and someone can come to the estate.

FUKU is Italian: launched bilingual, with a stockist in Rome and direct purchase on Amazon. Buderim, Milton and FEELS are Australian. Same method, two hemispheres.

Every project is creatively directed by Wild Bunch. Production is delivered using the right combination of in-house capability, AI and specialist partners.

Making something people should taste?

The maker, the place, the process — and the page it lands on. Tell us what you’re trying to sell and we’ll tell you what we’d make first.