Video production in Rome
Brand films, adverts, product photography — and the site or landing page it all lands on. For businesses with something excellent to sell and a digital shop window that doesn’t show it yet.
Wineries · Restaurants and hotels · Food producers · Fashion and design · Tourism · Manufacturing
Why now
We see the same thing every week: a business making something genuinely good — a wine, a cured meat, a hotel, an object built properly — and a digital presence that never says so. A screen of text, no picture of the product, no trace of who makes it or where it comes from.
That isn’t a quality problem. It’s a shop-window problem, and it’s the easiest kind to fix: the material already exists — in the cellar, the workshop, the hands of the people doing it. It only has to be filmed and put where people decide. Whoever does it now has an advantage they won’t have in three years.
1
Look at the shop window before the product. What a customer sees on the first screen, and what they can buy from it. A film pointed at a weak page is a wasted film.
2
Film what you already have. The hands, the place, the process. Nothing needs inventing — it needs filming.
3
Put it where the decision happens. A beautiful film on the wrong page sells nothing. Placement counts as much as the shoot.
Our Visual Audit reads a page the way a customer does — what’s on the first screen, what’s claimed, what’s actually shown. Run it on yours.
What we look for
The place
The land, the workshop, the room, the vineyard. It’s the thing a competitor cannot copy, and it’s almost always off screen.
The people
Who actually makes it. A founder or a maker on camera outlasts any campaign — and can’t be substituted.
The process
How it comes about. The work, the selection, the waiting. If the site says you do it yourselves, show yourselves doing it.
How we work
Excellent content is wasted if it sends people to a weak page. That’s why we build the page too.
Proof
Italy’s first Japanese-style rice lager · launched from Rome
A proposition in six words, a launch film from the AI Studio, a bilingual landing page with direct purchase and a stockist in Rome. Then gold in London: Best Lager in Europe, Craft Beer Awards 2025, triple blind tasting.
Fragrance · film, imagery and ecommerce
A brand with a strong sense of place and three separate jobs: the film, the imagery, the shop. We treated them as one system — and 76% of wholesale customers reordered within a week of launch.
Distillery · founder film
A new distillery in a crowded category, with a maker worth meeting. Four minutes around the distiller, the still and the process. Still the film on their homepage six years on.
Craft spirit · vertical cuts
Made to be watched in a hand: the vineyard, the botanicals, the bottle. The place before the product.
Also
In Rome
Katja is in Rome and works in Italian: the first conversation is in your language, and for businesses in Lazio and central Italy someone can come and see the place — because the place is usually half the film.
FUKU was launched from here, bilingual, with a stockist in the city. The rest of the work comes from Australia and the UK: twenty years of television, commercial film and product launches. Same method, two hemispheres.
Every project is creatively directed by Wild Bunch. Production is delivered using the right combination of in-house capability, AI and specialist partners.
Tell us what you’re trying to sell, launch or explain. We’ll tell you what we’d make first — and what not to spend money on.